Jason Edward Lewis
FUTURE IMAGINARY DIALOGUE WITH KIM TALLBEAR
Cindy Mochizuki
WHAT WE SAW & WHAT WE DIDN’T SEE, CONVERSATIONAL URGENCIES
Liz Park + Vanessa Kwan
ARTIST PORTFOLIOS: INTRODUCTION
AMANDA STRONG ARTIST PORTFOLIO
nichola feldman-kiss
NICHOLA FELDMAN-KISS AND DIPNA HORRA IN CONVERSATION
Niranjan Rajah
ZAINUB VERJEE: FROM SIGNIFIER TO SIGNIFIED
Grant Arnold
THE ART OF DANA CLAXTON: A PROLOGUE
MIKE MACDONALD ARTIST PORTFOLIO
Shaun Dacey
DISSIDENT TRANS BODY POLITICS
the Work of Cassils
Allison Collins
GUWARDYA, OR “ALL OF THE THINGS I KNOW OF WHICH I AM NOT, AT THE MOMENT, THINKING”
Scott Miller berry
QUEERNESS MIGHT HAVE DECEIVED US
An interview with Chris Chong Chan Fui
Andrea Zittlau
FRAGMENTED VISIONS OF CONTROL
Francisca duran’s cinema of cuts and puzzles
Lisa Myers
PUSH THE RECORD BUTTON
Aesthetics of evidence in Mike Macdonald’s art practice
CINDY MOCHIZUKI ARTIST PORTFOLIO
Jordan Arseneault
ALISON DUKE’S MISSING MINUTES
Maya Wilson-Sanchez
ON MAPPING, STORYTELLING, AND COOKING
A discussion of Lisa Myers’s Berry Works
Francisco-Fernando Granados
WE IMMIGRANTS, WE REFUGEES, WE CITIZENS, WE SETTLERS
Christina Battle
DISTRIBUTED SYSTEMS AND THE COLLECTIVE MODEL FOR THE MEDIA ARTS NETWORK OF ONTARIO
Rehab Nazzal
CRITICAL ART AND CENSORSHIP
Encounter of a Palestinian-Canadian Artist
Glenn Alteen
ACTIVATING ARCHIVES
JACQUELINE HOÀNG NGUYỄN ARTIST PORTFOLIO
Sylvia D. Hamilton
VISUALIZING HISTORY AND MEMORY IN THE AFRICAN NOVA SCOTIAN COMMUNITY
Mark V. Campbell
THE GRUNG
Indigenous & Afrodiasporic Ruptures in the Hip-Hop Archive
Roland Sintos Coloma
QUEERING ASIAN CANADA
Troubling Family, Generation, and Community
Tess Takahashi
QUEER FILM AT THE CANADIAN FILMMAKERS’ DISTRIBUTION CENTRE (1965–1985)
CORNELIA WYNGAARDEN ARTIST PORTFOLIO